ATTRIBUTED TO AUGUSTE AMANT CONSTANTATTRIBUTED TO AUGUSTE AMANT CONSTANT FIDELE EDOUART(French, 1789–1861)
Family Portrait, unsigned, ink cutout on cream paper with ink wash and pencil, sight 13-1/2 x 21 in.; wood and gilt frame, 22-3/8 x 29-7/8 in.
Condition:
toning, staining, and foxing, water damage, tear to left edge, puncture and patch to lady on far left, puncture in the upper right corner, without original back, not secure, currently affixed with tape
A Derby group of the Alpine Shepherdess,A Derby group of the Alpine Shepherdess, circa 1771, depicting two lovers on a rocky base, incised no. 178, 18cm high
BONNIE MARRIS (1951- ), RELENTLESSBONNIE MARRIS (1951- ), RELENTLESS WINTER Fine Art
(SHAKESPEARE WILLIAM) BALLANTYNE(SHAKESPEARE WILLIAM) BALLANTYNE PRESS The Passionate Pilgrim. [London: Ballantyne Press 1896]. 8vo bound by Sangorski and Sutcliffe in full brown niger morocco gilt-lettered spine t.e.g. slipcase. Light offsetting from text; near fine.
A Derby dry-edge model of a ewe,A Derby dry-edge model of a ewe, circa 1750-52, standing looking to the side supported on a central stump, lightly coloured with detail to the face, fleece and applied flowers to the base, 12cm high
Manner of Theodore WorManner of Theodore Wor
SPANISH COLONIAL SCHOOL DEVOTIONALSPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century)
The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in.
Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina
Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.
Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love
Condition:
original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
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Harsh, Williams, TennHarsh, Williams, Tenn
ATTRIBUTED TO AUGUSTE AMANT CONSTANTATTRIBUTED TO AUGUSTE AMANT CONSTANT FIDELE EDOUART(French, 1789–1861)
Gentleman Holding Top Hat, unsigned, ink cutout on cream paper with lithographic background, sight 13-1/4 x 10-1/2 in.; Lady and Gentleman, unsigned, verso inscribed "David White Griffith Esq./Jesuit Col Oxford Liverpool Apr 22 1837...", ink cutout on cream paper with ink wash over pencil background, sight 14 x 10-1/2 in.; one period wood frame and one painted and gilt frame, larger 16-7/8 x 14-1/8 in.
Condition:
toning and slight foxing; top hat example with chipping to veneer at top left corner and bottom left corner; lady and gentleman example with slight loss to gilt on frame
SPANISH COLONIAL SCHOOL DEVOTIONALSPANISH COLONIAL SCHOOL DEVOTIONAL PAINTING(late 17th/early 18th century)
The Loving, Suffering Christ, with text contrasting the love of God with the work of hatred, unsigned, oil on canvas with wood panel, 18-1/2 x 11-3/4 in.; 19th century gilt wood and composition diaper pattern frame, 23 x 16-1/4 in.
Provenance: Estate of Ronald M. Lambe, Asheville, North Carolina
Note: Inscription: A Jesus el amor y odio lo arrojan en el Cedron el odio pudo acabarse mas nunca pudo el amor/El odio fue obra del hombre el amor fue obra de Dios....diera aconocer su autor/No los Rios de Yngratitudes ni los mares sel Dolor Sutocaran [?] el y ncendio de ese amante Corazon/que ymporia, que Caudaloso sea el y mpetu del Cedron sus Aguas no son' Capaces de apagar aquel Ardor/Portanto Alma Religiosa llega alivia a tu senor que es mui justa ...pagues amor, con amor.Rough translation: To Jesus, love and hatred are thrown into the Cedron, hatred could end but love never could/Hatred was the work of man, love was the work of God ... let the author know/Not the rivers of ingratitude nor the seas of pain will Succeed the and fire of that loving heart./that and why, that mighty be the and impetus of the Cedron its waters are not capable of quenching that Burning/Therefore, Religious Soul comes, relieves your Lord who is very fair ... pay love, with love
Condition:
original strainer with some pest damage and lacking central horizontal support, wood panel with pest damage recto, craquelure, crackle, flaking, surface dirt; frame with losses to composition
WORK ON PAPER, MARION V. DORN MarionWORK ON PAPER, MARION V. DORN Marion V. Dorn (American, 1899-1964), "Apples, Red, Green and Yellow," 1957, ink wash on paper, signed and dated lower right, titled verso, overall (with frame): 18"h x 23.5"w. Provenance: The Estate of David Pleydell-Bouverie, grandson of the 5th Earl of Radnor (Glen Ellen, CA). Note: All proceeds to benefit the Bouverie Preserve of Audubon Canyon Ranch (Glen Ellen, CA).
AMANT CONSTANT LAMBERT EPINETTEAMANT CONSTANT LAMBERT EPINETTE DES VOSGES ZITHER France,1843-1908Maple bodied epinette with heart and clover shaped sound holes, marquetry inlay details, and a finely carved scroll.
16th century French School painting,16th century French School painting, allegory of Odor, seated and holding a vase of flowers in one hand and a stem of lilies in the other, dog at her right arm, inscribed at left Odoratus , oil on canvas, French School-Fontainebleau, 37-1/2 x 46-1/2 in.; early stained wood frame. Retacked to verso of frame after being shipped separately from frame, lacking stretcher, eleven holes or tears, recently cleaned, flaking, craquelure; verso frame with rosehead nails. Collection of a Gentleman, Memphis, Tennessee.
Attr. James B. Southard (American,Attr. James B. Southard (American, b. 1921) "Ventona in el Sol". Oil, painted on a stretched feed sack, typed label verso, approx. 56" x 35", not framed. Possibly an early painting when the artist was a student in Mexico City.
A green ground cache pot, probablyA green ground cache pot, probably Derby, with landscape and a D-shaped bough pot, Continental
EMANUEL SWEERT (DUTCH, 1552-1612),EMANUEL SWEERT (DUTCH, 1552-1612), FIVE FLORAL ENGRAVINGS FROM FLORILEGIUM Hand-colored engravings, early 17th century, on laid paper, Frankfurt-am-Main: Anthony Kempner, 1612, each retains label to verso, in uniform matting and gilt framing.
French School, 19th Century/PortraitFrench School, 19th Century/Portrait of a Gentleman/wearing a red waistcoat and black jacket/oil on canvas, 35.5cm x 30cm
* A Staffordshire Bocage Group* A Staffordshire Bocage Group depicting a courting couple seated beneath a flowering arbor. Height 7 3/4 inches.
Ten agate intaglios.Ten agate intaglios.
Follower of Francois Boucher (French,Follower of Francois Boucher (French, 1703-1770) "Love's Darts", an ultramarine blue and gray oil on panel supra-porta painting of an infant Eros shooting his arrow at a sleeping infant girl, unsigned, 18-5/8" x 31-1/4". Presented in a narrow antiqued giltwood frame in the neoclassical taste.
A carved cornelian dog wearingA carved cornelian dog wearing a ruff its paw on a ball ht. 7.5 cm.